Download Aftershock: The Ethics of Contemporary Transgressive Art by Kieran Cashell PDF

By Kieran Cashell

Accused by means of the tabloid press of getting down to 'shock', debatable works of art are vigorously defended by way of artwork critics, who usually downplay their hectic emotional effect. this can be the 1st publication to topic modern paintings to a rigorous moral exploration. It argues that, in favouring conceptual instead of emotional reactions, commentators truly fail to interact with the paintings they advertise. Scrutinising infamous works via artists together with Damien Hirst, Jake and Dinos Chapman, Richard Billingham, Marc Quinn, Sally Mann, Marcus Harvey, Hans Bellmer, Paul McCarthy, Tierney Gearon, and Tracey Emin, "Aftershock" insists at the value of visceral, emotional and 'ethical' responses. faraway from clouding our judgement, Cashell argues, disgrace, outrage or revulsion are the very feelings that such works got down to evoke. whereas additionally wondering the catch-all idea of 'transgression', this illuminating and arguable publication neither jumps indiscriminately to the defence of stunning works of art nor dismisses them out of hand.

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Additional info for Aftershock: The Ethics of Contemporary Transgressive Art

Sample text

His work, by engaging with this theme, constitutes an on-going visual argument to render people with disabilities visible by publicly revealing their existence; his work metaphorically insists on their rightful place in social discourse. He confronts the idealised ‘normal’, aesthetically conditioned, tyranny of perfection with the reality of disability. To place his sculpture of Lapper in such a significant public location is precisely to argue, by way of the site-specificity of the work, for the rights of people with disabilities to be included in the social contract, to be provided with access to the public realm, to be treated as valuable citizens, to be provided with the assistance that makes possible their participation and involvement in social and cultural life, and to be acknowledged without prejudice or discrimination.

I fill in this background to demonstrate that, preparatory to her further achievements, it is itself already a remarkable achievement for Lapper to assert and sustain the kind of independent existence the able-bodied majority treats as a basic entitlement. High-profile contemporary British artist Marc Quinn came to the attention of the art world in the early 1990s with a cycle of morbidly fascinating introspective studies. 59 A refrigeration system is necessary to sustain the solidity of Quinn’s transfused likeness.

Reduced to the content of a representation, identified yet again with her disability, we cannot ignore the fact that Quinn is not someone who has been affected by the stigma and psychological harm endured by people with disabilities. Rather he is someone who, from an external perspective, is using the issue to make an artistic statement. ), having the potential to change her life in radical and unpredictable ways. Appropriating the techniques of the classical tradition to represent the physically deformed body, Quinn engages critically, but also respectfully, with the history of art.

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